南阳-汉画总录-20 本书特色
《汉画总录》是一个意义重大、影响深远的国家级文化抢救和文化建设项目,以照片、拓片、线描及墓葬位置复原图等方式记录汉画图像,对图像的出土地点、年代、尺寸、材质、考古环境、画面内容、图像关系等作全面著录。项目计划正编150册,补遗50册,将通过构建一部完整的汉代图像志,为今后汉画的保存、再现、使用等提供有力的支持和保障,为中国上古晚期的思想、政治、经济、文化研究奠定坚实的基础。作为本学术工程的第二期,《汉画总录》(11—30册)对南阳地区的汉画作了调查、整理、著录,正编范围限于南阳汉画馆所藏南阳及其诸县出土和征集的画像石,其他因客观原因暂未收录的部分,将在补遗卷中与南阳地区的画像砖及其他材质、器物上的图像一并陆续著录。
南阳-汉画总录-20 内容简介
作为一项奠基性的工作,《汉画总录》全面收集整理全球所藏中国汉代图像,将把中国汉代乃至上古晚期历史研究推进到一个新的高度,并使汉画研究成为一门与敦煌研究、简帛研究、甲骨文研究同等重要的专门学科,对中华文化的保存、研究、传承具有重要意义。
本项目已被列为国家“十二五”重点出版项目,是一代学人心血之所系。
一句话推荐:*新*全面的汉画研究性图录
南阳-汉画总录-20 目录
前 言 .............................13
图 录(以汉画总录编号排列)
hn-ny-150 .............................20
hn-ny-151 .............................23
hn-ny-152(1.)...................28
hn-ny-152(2)...................30
hn-ny-153 .............................32
hn-ny-154 .............................35
hn-ny-155(1)...................38
hn-ny-155(2)...................40
hn-ny-155(3)...................42
hn-ny-156(1)...................44
hn-ny-156(2)...................46
hn-ny-157-01(1)............48
hn-ny-157-01(2)............50
hn-ny-157-02(1)............52
hn-ny-157-02(2)............54
hn-ny-158-01 .....................56
hn-ny-158-02 .....................58
hn-ny-158-03 ......................60
hn-ny-158-04 ......................62
hn-ny-159(1)...................64
hn-ny-159(2)...................66
hn-ny-160................... 68
hn-ny-161 .............................70
hn-ny-162 .............................72
hn-ny-163 .............................75
hn-ny-164 .............................82
hn-ny-165 .............................84
hn-ny-166(1)...................86
hn-ny-166(2)...................88
hn-ny-167(1)...................90
hn-ny-167(2)...................92
hn-ny-168 .............................94
hn-ny-169 .............................96
hn-ny-170............................. 98
hn-ny-171 .............................100
hn-ny-172 .............................102
hn-ny-173 .............................106
hn-ny-174 .............................108
hn-ny-175 .............................110
hn-ny-176(1)...................112
hn-ny-176(2)...................114
hn-ny-176(3)...................116
hn-ny-177 ................... 118
hn-ny-178................... 120
hn-ny-179(1)...................122
hn-ny-179(2)...................124
hn-ny-179(3)...................126
hn-ny-180(1)...................128
hn-ny-180(2)...................130
hn-ny-181 .............................132
hn-ny-182(1)...................134
hn-ny-182(2)...................136
hn-ny-183................... 138
hn-ny-184(1)...................140
hn-ny-184(2)...................142
hn-ny-184(3)...................144
hn-ny-185 .............................146
hn-ny-186 .............................148
hn-ny-187(1)...................150
hn-ny-187(2)...................152
hn-ny-188 .............................154
hn-ny-189 .............................156
hn-ny-190 .............................158
hn-ny-191 .............................160
hn-ny-192 .............................162
hn-ny-193 .............................164
hn-ny-194(1)...................166
hn-ny-194(2)...................168
hn-ny-195(1)...................172
hn-ny-195(2)...................174
hn-ny-196 .............................176
hn-ny-197 .............................179
hn-ny-198 .............................184
hn-ny-199(1)...................186
hn-ny-199(2)...................188
hn-ny-200(1)...................190
hn-ny-200(2)...................192
hn-ny-201(1)...................194
hn-ny-201(2)...................196
hn-ny-202 .............................198
hn-ny-203 .............................200
hn-ny-204 .............................202
hn-ny-205 .............................204
hn-ny-206 .............................206
hn-ny-207 .............................208
hn-ny-208 .............................210
hn-ny-209 .............................212
hn-ny-210 .............................214
hn-ny-211 .............................216
hn-ny-212 .............................218
hn-ny-213 .............................222
hn-ny-214 .............................224
hn-ny-215 .............................226
hn-ny-216(1)...................228
hn-ny-216(2)...................230
hn-ny-217(1)...................232
hn-ny-217(2)...................234
hn-ny-218(1)...................236
hn-ny-218(2)...................238
hn-ny-218(3)...................240
hn-ny-219 .............................242
hn-ny-220 .............................244
hn-ny-221 .............................246
hn-ny-222(1)...................248
hn-ny-222(2)...................250
hn-ny-223 .............................252
hn-ny-224 .............................254
hn-ny-225 .............................256
hn-ny-226 .............................258
hn-ny-227 .............................262
hn-ny-228(1)...................264
hn-ny-228(2)...................266
hn-ny-229(1)...................268
hn-ny-229(2)...................270
hn-ny-230 .............................272
hn-ny-231 .............................276
hn-ny-232 .............................278
南阳-汉画总录-20 作者简介
朱青生:德国海德堡大学博士,北京大学教授,北京大学汉画研究所所长,中国汉画学会副会长。主要学术成果如下:1.专著:《将军门神起源研究》《没有人是艺术家,也没有人不是艺术家》《十九札》等;2.主编:《中国汉画研究》(中国汉画学会 北京大学汉画研究所学刊);3.主持课题:2012年度国家社科基金重大项目“中国汉代图像数据库与《汉画总录》编撰研究”、《汉画综述》等。
王清建:南阳汉画馆副馆长,主编《南阳汉代画像石墓发掘报告集》(上、下册)(中州古籍出版社,2012年),在《华夏考古》《南都学坛》等刊物发表有《试析南阳汉画像石的艺术特色》《河南南阳汉代画像石中的民俗初探》《新获裴济墓志与裴济事迹考辨》等文。